The ultra-iconic instrumental at the end of The Rolling Stones’ “Can’t You Hear Me Knockin'” was originally just a post-song jam session with Bobby Keys and Mick Taylor that was left in the final recording.

Alan Lomax found & recorded Jelly Roll Morton in Washington D.C. in 1938, convincing him to play his old brothel songs from Storyville, New Orleans, which were so raunchy that some were not released by the Library of Congress until 67 years later in 2005.

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